Friday, March 21, 2008
Should China be able to host the 2008 Olympics given their human rights records in areas such as Tibet?
It really bites that oppressive socialist governments, such as China get so much attention, causing people relate socialism to tyranny.
Britt's Response for blog #5
blog 5 response
it's always a disappointment to realize how much the universal community 'let slide' before they made laws and took action. Now, all this crap is boiling over and there are too many alliances, ties, organizations, laws, and things going on to do much of anything really. How many countries have had questionable things going on while they hosted the Olympics? Alot. but they still hosted, so it might not be fair to stop China from hosting the show, but justice must start somewhere, and if thats on China then let it be. the athletes can keep training, this is a humanity issue... way bigger than the Olympics themselves. theres no point in making all these improvements in writing, when nothing really is done about them. i can't believe the dalai lama's successor hasnt been seen since 1995! thats so sad, that as a boy he's suffered prosecution for his beliefs. which is a violation of the UDHR, article 18. Theyr being bombarded in their homes and country side, which violates article 1, 2, 3, 20, and 22.. so they violate many articles. The world just has to go through a detox, China isnt the only one that needs a wake up call.
The Olympics In Bejing
Blog #5
China, of course. Despite their claims of sovereignty, Tibeten people did not used to be a part of China and, more importantly, are of a different ethnic and cultural background. To oppress/suppress a people for whatever stated reasons is inappropriate and seldom excusable.
The U.N. and all nations that are complicit in their inaction. It's more than absurd to publically and internationally condemn a nation for its actions and then a) refuse to take action to provide an incentive for the "offending" nation to stop and perhaps related b) continue to do major business deals with the offending nation. That's hypocritical, contradictory, and ultimately undermining to any authority structure that is attempting to exercise moral law over the "offending" nation. This includes the IOC and its refusal to withdraw the Chinese right to hold the Olympics. It would be ludicrous to deny China its ability to hold the Olympics now--Chinese human rights abuses against Tibetan and Tainwanese people have been publically and internationally acknowledged for decades. Nothing has changed.
The only party that's not too blame is the Tibetan people. They're trying to live their lives without violent or cultural interference from any source. That's not too much to ask.
Thursday, March 20, 2008
Blog 5
The Olympics are being represented as something entirely different by human rights and pro-Tibetan independence groups. Some are calling it "the Genocide Olympics," making connections between China and Sudan and the deaths in Darfur. Whichever way it's spun, all eyes are on China, and hopefully this awareness will bring about some change for the better.
DRP's work for blog post 5
Wednesday, March 19, 2008
Blog #5
According to Amnesty International, every week people are thrown into jails from protesting the government. The human rights group also states that the Chinese government will go into people’s homes and take away their pictures of the Dahlia Lama. Tibetans have been going through this treatment since the 1950’s and it’s shocking that the Chinese government is still getting away with this. If the UDHR was created to protect the universal rights of all individuals, why is it that people (Tibetans) are still suffering? How come nothing has been done to stop this chaotic treatment?
Beijing --Blog 5
The question of whether
Saturday, March 15, 2008
Blog Assignment #5
This week, Tibetans began protesting the Chinese government’s occupation of their country. As we briefly discussed in previous class when we defined the term “ethnocide”, the Chinese government has occupied
For next week, you can answer one or more of the following questions. The BBC has a great page about the history of
http://news.bbc.co.uk/2/shared/spl/hi/guides/456900/456954/html/nn0page1.stm
What human rights abuses exist in
How does the United Nations Declaration of Human Rights relate to the Tibetan issue?
How has the United Nations reacted to and addressed the situation in
Can Tibetans freely leave
Can exiles return to or visit
How are human rights organizations spinning the Beijing Olympics in 2008? What does such an event symbolize?
Should
What has been international reaction and response (political, economic, human rights) to the Tibetan situation? Why have so few Heads of State and official governments supported an independent
How has the Chinese Government reacted to foreign intervention or diplomacy on behalf of the Tibetan situation?
What has been the Tibetan reaction and response to Chinese occupation (non-violence vs. guerrilla warfare)?
Is adopting a non-violent approach a better way to work toward conflict resolution?
What organized efforts in
What is the function of non-governmental organizations like the International Campaign for
Friday, March 14, 2008
Monday, March 10, 2008
Blog #4
--From Alex Blanco
Friday, March 7, 2008
Blog Post #4
It is true however that propaganda can also implement these techniques to gather greater depth, but Triumph of the Will had no intention of going any deeper than the surface. Ultimately it underestimated the human mind's potential to have a more developed frame of reference (although probably nobody involved had accounted for the possibility of the end of the Nazi party).
Rosco's 4
As far as the arguement of the footage being from real life. That's film magic. My last film was made using footage that I found in trash cans. My film had a message, but I can assure you that it wasn't the same message that was intended when it was shot.
Through editing, you can send a pro war message using shots of daisies.
Real like Reality TV
With "Triumph of the Will" very specific images of Hitler and the people were chosen to portray a very positive image of his leadership and it's country. I would not be surprised to find out that every single instance in the film was staged ahead of time and everyone was instructed on how exactly to behave. That is how we end up with plump German women hailing Hitler like he's a rock star and close-ups of young, strapping Arian boys laughing and having fun.
Plus I wonder, where's the other side? Where are the dissenters? I have a hard time believing everyone went and welcomed Hitler with open arms. There may not have been protesters, but people may have chosen to stay home--well if this was reality.
If "Triumph of the Will" is a documentary, it is in the loosest sense of the word. It is first, and foremost, a propaganda film meant to ally all of it's viewers with Hitler.
Blog #4
This is really a fallacy in thinking--that a film must be one or the other--that propaganda films or documentaries are mutually exclusive. The reason the argument exists is simply becuase "Triumph of the Will" is both a propaganda film AND a documentary. A further fallacy is that documentaries are true/factual/unabirdged representations of real life/events/movements. The very fact that human beings are subjective, and therefore a filmed event is even more subjective (based on the limited perspective of the camera), documentaries, especially any that employee editing (read: all), are influenced by subjectivity and therefore attempting to communicate some message--and therefore propaganda.
There is no problem with propaganda; there is a problem with people accepting it carte blanche. The point is to understand that any purveyor of any view has an interest in you believing or disbelieving something. Propanganda is nothing more than a poorly-constructed, one-sided argument that does not atttempt to represent a complete perspective. That encompasses most arguments in life.
Triumph of the Night and Fog
Thursday, March 6, 2008
Triumph of the Will
I’d have to agree that Triumph of the Will was designed to make the Nazi party look more attractive to the German people, even if that beautification was only capitalizing on the way Hitler and the Nazis were perceived by many Germans at that time. Take, for example, the representation of the young workers as being carefree and playful: I think it’s safe to assume that the general frivolity pictured in the film was not necessarily the way those people lived all of the time. There was no real reference to actual work throughout that entire scene; just various shots of blond-haired boys wrestling and laughing. The music and previous images even made the mass-produced meals look enticing.
Though Triumph of the Will is arguably designed to beautify the Nazi party, I don’t know if Night and Fog was necessarily designed to do the opposite. The film didn’t deal as much with the politics behind the imprisonment and extermination of the Jewish people throughout
Techniques of film
DRP's Work for blog post 4
Wednesday, March 5, 2008
oh and...
okay thats it
response to blog 4
Night and Fog though, was a collection of old pictures and videos vs. the 'now' of the holocaust sight. The difference between Triumph of the Will and Night and Fog is that Triumph was set entirely then and there in Germany... there was nothing else to view but Hitler and his subjects. in Night and Fog, this is a seemingly objective point if view of the happenings/ horrors of the holocaust camp sight. the video is set in todays day but focuses on the flashbacks
Tuesday, March 4, 2008
The Good Thing about Living in 3D is the Ability to See Both Sides of a Coin
I don't think Triumph of the Will should be considered a documentary. Although it had the aim to showcase some of the events of the nationalist-socialist uprising and of the holocaust, it did not fairly represent everything that happened. It was a promotional film, one-sided and noticibly silent on the part of the Jews. Though there was live footage, we hardly ever heard Hitler speak. This film was mainly visual/inspirational rather than informational.
Although I would like to say Night and Fog is more of a documentary than Triumph of the Will, I can't necessarily say it is true. Night and Fog, like Triumph, shows visual facts and some live footage. However, it lacks the traditional informational format of a documentary. I can say both represent part of the history of the holocaust. Triumph is clearly slanted towards the Nationalist-Socialist ideology, while Night and Fog seems to give a dry pan of the horrors which took place in the camps. Therefore, it may be somewhat ok to say that Night is a fairer representation.
Monday, March 3, 2008
Britt's Response for Blog #4
Saturday, March 1, 2008
Blog Assignment #4
Your blog posts for this week could touch on one or more of the following questions:
How do the film techniques in “Triumph of the Will” differ from the techniques used in the making of “Night and Fog?” “Night and Fog” was the film that we watched during the second class.
Specifically, how do these films employ the use of music, camera angels, edits?
How do the objectives of the films differ?
Some people argue that “Triumph of the Will” is a propaganda film while others argue that is a documentary because it was made up of “actual” footage of the Nazi Nuremburg rallies. How would you categorize it and why?
Many people argue that “Triumph of the Will” aesteticized politics: it made the Nazi movement look beautiful. Does “Night and Fog” ce-aesteticize politics and, therefore, war?
Feel free to draw on this passage of “The Work of Art in the Age of Mechanical Reproduction” by Walter Benjamin.
“All efforts to render politics aesthetic culminate in one thing: war. War and war only can set a goal for mass movements on the largest scale while respecting the traditional property system. This is the political formula for the situation. The technological formula may be stated as follows: Only war makes it possible to mobilize all of today's technical resources while maintaining the property system. It goes without saying that the Fascist apotheosis of war does not employ such arguments. Still, Marinetti says in his manifesto on the Ethiopian colonial war: "For twenty- seven years we Futurists have rebelled against the branding of war as antiaesthetic.... Accordingly we state: ... War is beautiful because it establishes man's dominion over the subjugated machinery by means of gas masks, terrifying megaphones, flame throwers, and small tanks. War is beautiful because it initiates the dreamt-of metalization of the human body. War is beautiful because it enriches a flowering meadow with the fiery orchids of machine guns. War is beautiful because it combines the gunfire, the cannonades, the cease-fire, the scents, and the stench of putrefaction into a symphony. War is beautiful because it creates new architecture, like that of the big tanks, the geometrical formation flights, the smoke spirals from burning villages, and many others.... Poets and artists of Futurism! ... remember these principles of an aesthetics of war so that your struggle for a new literature and a new graphic art . . . may be illumined by them!"”
--Walter Benjamin, 1937
For you own edification, I highly recommend you reading this entire article. It’s a difficult read, but very influential. The article can be found here:
http://web.bentley.edu/empl/c/rcrooks/toolbox/common_knowledge/general_communication/benjamin.html